Animation and Filmography : On the use of both silver film and digital format

 Imagination is the catalyst for creating
A work of animated art. Perception and realuzation
Commencing cognitively to express creative ideas is a
Pathway to communication. 

We are going to start with perspectives. 

You will need to do three dimensional graphing 
On a chalkboard for starters rs. The reason for this is: With a chalkboard and chalk, you are
Able to recreate the axes of x, y, and z to the
Perspective you require. 
Be sure to use a different color for each line
Of sight on each axis. 

Use this setup for each section of your 
Physical animation. 

Recycled paper and bio-plastic will be the
Surface for this animation. 

For the second part of this animation series, 
You will need to use clay or a good flexible 
Putty. 

Be sure to space the figures correctly. 

Think about the screen size. Everything will be 
Scaled to both a larger and smaller format. 

Twenty four frames per second is too slow. 

Fifty frames results in trailimg images. 
Use thirty-six frames per second for
These two parts of the series. 

The cell images will be in the background. 

Each movement of claymation set before 
Each illustrated frame. 

This combines two types of animated art. 

For the digital series you will need to use blender. 

Superimpose each "physical" frame as the
Background for each digital frame in blender. 

Again, thirty six frames per second. 

Someone will need to use Sox for the 
Overlapping audio. 

Surround sound quadraphonic with independent
Stereo as the same in hearing from the
Ears of humans and animals. 

Theatre style mirrored aural effects. 

Foreground with slight dopplar latency
For the background. 

Midrange independent stereo for the foreground 
Animation. 

Set up peripheral aural visual as
Independently moving stadium sound. 

Be blessed and have a great day. 
Tchau tchau! 

Agaim